Hidden City Life in Two Works of Literature

Assignment\nCompargon the image of the hidden life of the urban center in Dickens, Night Walks, and the discussion section called The Bridge from Michael Ondaatjes novel, In the shinny of a Lion.\n\nResponse\nBuildings and structures atomic number 18 seen, experienced, interacted with and remembered every single mean solar day by thousands of different hatful from all walks of life. Some buildings are historically significant and others plainly have no narrative at all. Despite the autobiography of the buildings, structures etcetera, what they all have in common is the lives that have populate and influenced them. Each structure has a story of its own, well know or not, which is significantly important. The literary works of Charles Dickens in his act Night Walks , and Michael Ondaatjes section from In the Skin of a Lion, The Bridge, both accurately hear the hidden stories and lives of these structures by their theatrical role of imagery, personification and in pro foundness exploration of what lies behind the presumed. In doing so, both authors are able to successfully project a more in abstr ingestionness experience of either walk of life through the streets of London aboard Dickens, or experiencing the construction of the Bloor way viaduct (the bridge) depicted in Ondaatjes writing.\nIn Charles Dickens Night Walks the reader is led along side Dickens himself throughout his walks in London after macabre in an attempt to second cure his insomnia. What Dickens discovers is a brand new side of London, a place that in the lead his walks he was sure that he knew quite well. Through the use of imagery, Dickens brings his readers closer to the sensory experience of actually paseo the streets of London themselves; Walking the streets in the pattering rain ; Drip, drip, drip, from ledge and coping, dot from pipes and water-spouts, and by-and-by the houseless shadow would devolve upon the stones... ; The wild moon and clouds were as re stless as an detestation conscience in a tumbled bed, and the very shadow of th...